Summit Nature & Conservation

Photography at the Summit

The Nature and Wildlife Workshop, also called Photography at the Summit, is the longest-running workshop in the Summit Series. It brings together a faculty of top international photographers and editors — many from National Geographic — and combines it with the beautiful setting of the Grand Tetons. Our faculty offers a wide-variety of photography knowledge, so a student may go shoot in the morning with an expert nature photographer, review their work in the afternoon with a professional editor, then go over their editing process with a tech expert.

This workshop provides participants the opportunity to learn from, photograph alongside, and network with the very individuals who are uniquely positioned to help them with their career development. While many nature workshops provide you with an opportunity to shoot outstanding nature photos, we take it one step further by truly offering you a chance to both expand your portfolio and to expand your network. Included in the instructional sessions will be lectures on conservation photography, freelance photography, and marketing and software/technology.

What you’ll learn:

What To Know

Topics We Will Cover

wildlifenat
Wildlife Photography
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Landscape Photography
consnat
Conservation Photography
storynat
Storytelling
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Lightpainting
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Night Skies
streetnat
Street Photography
filmmaking

2021 WORKSHOP INSTRUCTORS

Melissa Groo
Workshop Faculty

Melissa Groo

Workshop Faculty

Katie Schuler

Workshop Faculty

Morgan Heim

Workshop Faculty

Michael Forsberg

dave_showalter_bio
Workshop Faculty

Dave Showalter

Jim Richardson - Summit Photography Workshops
Workshop Faculty

Jim Richardson

Workshop Faculty

Clay Bolt

Workshop Faculty

Melissa Groo

Melissa is a wildlife photographer, writer, speaker, and educator. She’s a contributing editor to Audubon magazine, writes a column on wildlife photography for Outdoor Photographer magazine, and is an Associate Fellow with the International League of Conservation Photographers. She speaks and writes extensively on issues of ethics and conservation in wildlife photography, and leads workshops in the U.S. and abroad. Melissa was Chair of the Ethics Committee for the North American Nature Photography Association from 2014-2018. Her work has been published in numerous books and magazines, such as Smithsonian, Audubon, National Wildlife, and Natural History. Melissa is represented by National Geographic Image Collection and has a long-term gallery at Audubon Greenwich in Connecticut.

Workshop Faculty

Katie Schuler

An advocate for the planet’s most at-risk species, Katie operates at the nexus between science, empathy, and storytelling. More than a decade of filmmaking across six continents has afforded Katie expertise in the field and in the editing room. Using her signature storytelling flair, Katie’s films explore how we live alongside nature, garnering accolades, accruing millions of views, and inspiring meaningful conservation victories. Her production company, Coral & Oak Studios, has partnered with many of the most recognizable names in wildlife filmmaking, including National Geographic, Smithsonian, BBC, HBO, and PBS. Katie’s film, Pangolin, is the winner of six best short awards including Jackson Wild’s 2017 Best Short category. Since its premiere, Pangolin has been translated into four languages, reaching over 75 million people while serving as an important tool for conservation. Two of her latest films, Where Life Begins, and Nigerians Fight to Protect the World’s Most Trafficked Mammal, have won awards at festivals in 2019. Katie is a National Geographic Explorer, a graduate of the Corcoran College of Art and Design, a Henry Luce Fellow, and a member of the International League of a Conservation Photographer’s Emerging League.

Workshop Faculty

Morgan Heim

Morgan (Mo) Heim raises a camera for one purpose – to capture moments in an animal’s life that will make us consider what that life means. Inevitably, those stories involve people as much as wildlife. How we treat them. Why we need them. What we love, or hate about them. Mo, used to work as a wildlife ecologist for NOAA on things like killer whale surveys and the Elwha Dam Removal project. She later earned a Master’s in environmental journalism and is a senior fellow of the International League of Conservation Photographers (iLCP). She has covered endangered fishing cats and shrimp farm development, and the environmental impacts of marijuana grows in our nation’s forests. In 2016, she became a National Geographic grantee for her collaboration on urban coyotes. Her photographic work has appeared in outlets such as Smithsonian, Discover, NationalGeographic.com, Nature Conservancy Magazine, and bioGraphic.com.

Workshop Faculty

Michael Forsberg

Mike is a senior fellow with the International League of Conservation Photographers who has focused his career on North America’s Great Plains, its prairie wildlife, and watersheds. His work has appeared in National Geographic and Outdoor Photographer, and his books on On Ancient Wings and Great Plains – America’s Lingering Wild have been turned into documentary films for PBS. Mike is co-founder of the Platte Basin Timelapse Project, and currently serves as faculty with the University of Nebraska.

Workshop Faculty

Dave Showalter

Dave Showalter is based in Colorado and focused on the American West. Dave has published two books – Sage Spirit, The American West at A Crossroads by Braided River (2015); and the award-winning Prairie Thunder by Skyline Press (2007). Dave’s photographs and articles have appeared in numerous publications, including Audubon, Conservation Biology, Outside, Outdoor Photographer, National Parks Magazine, High Country News, Wilderness, Colorado Life and elsewhere.

Workshop Faculty

Jim Richardson

Jim has work appearing regularly in National Geographic magazine and National Geographic Traveler in addition to Geographic books. Jim is on assignment for Nat Geo projects almost full time and for good reason. Richardson, a onetime newspaper photographer in Kansas and Colorado, brings amazing story-telling techniques along with detailed research to his pictures. Thirty years ago, he began photographing the area around his hometown in north central Kansas.

Workshop Faculty

Clay Bolt

Clay Bolt is a Natural History and Conservation Photographer specializing in the world’s smaller creatures. He regularly partners with organizations such as the National Geographic Society, National Wildlife Federation, and Xerces Society for Invertebrate Conservation. He is an Associate Fellow in the International League of Conservation Photographers (iLCP) and past president of the North American Nature Photography Association (NANPA). His current major focus is on North America’s native bees and the important roles that they play in our lives. He was a leading voice in the fight to protect the rusty-patched bumble bee as a federally protected species under the Endangered Species Act, which became North America’s first federally protected native bee in 2017. In 2019, Bolt became the first photographer to document a living Wallace’s Giant Bee—the world’s largest bee—as a part of a four person exploration team to rediscover the species in the Indonesian islands knowns as the North Moluccas. Learn more at www.claybolt.com.

Workshop Information & Itinerary

Workshop Highlights

Costs Included In Tuition

Not Included

Workshop Itinerary

** Covid Note: Some classroom activities such as lectures and portfolio reviews may be held in person or remotely before/after the workshop via Zoom, depending on Covid restrictions that might be in place at the time of the workshop. For the time being these activities have been left off of the schedule and we will keep everyone updated as the summer progresses.

  • Welcome Reception At Noon
  • Approaching Wildlife Photography
  • Afternoon/Evening Shoots With Faculty
  • Early Morning Shoots
  • Class: Faculty Presentations and Instruction
  • 1:1 Sessions With Faculty
  • Afternoon/Evening Shoots With Faculty
  • Early Morning Shoots
  • Class: Faculty Presentations and Instruction
  • 1:1 Sessions With Faculty
  • Afternoon/Evening Shoots With Faculty
  • Early Morning Shoots
  • Class: Image Critique, Faculty Roundtable and Career Discussion
  • Closing Reception

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