Nature and conservation

Join us in Jackson to learn and photograph alongside the best nature and wildlife storytellers in the industry!

A Peak Photography Experience

Dates: TBD | Location: Jackson Hole, WY

Tuition: $2,595 | Deposit: $500

Deposit due upon registration, full tuition due 120 days before the workshop. Workshop limited to 10 participants. 

The Nature and Wildlife Workshop, also called Photography at the Summit, is the longest-running workshop in the Summit Series. It brings together a faculty of top international photographers and editors — many from National Geographic — and combines it with the beautiful setting of the Grand Tetons. Our faculty offers a wide-variety of photography knowledge, so a student may go shoot in the morning with an expert nature photographer, review their work in the afternoon with a professional editor, then go over their editing process with a tech expert.

2025 Dates to be announced soon

Sign up for our waitlist to be the first to know about 2025 dates

Elevate your portfolio

This workshop provides participants the opportunity to learn from, photograph alongside, and network with the very individuals who are uniquely positioned to help them with their career development. While many nature workshops provide you with an opportunity to shoot outstanding nature photos, we take it one step further by truly offering you a chance to both expand your portfolio and to expand your network. Included in the instructional sessions will be lectures on conservation photography, freelance photography, and marketing and software/technology.

At Summit Nature You Will

Master a diverse set of photography skills

Master a diverse set of photography skills

Learn landscape photography, wildlife photography, macro photography, and even light painting—all in one immersive workshop. From capturing the beauty of vibrant fall colors to the magic of night skies, you'll grow as a versatile photographer.

Learn from top nature Photographers

Learn from top nature Photographers

Get one-on-one guidance from expert photographers, many of them members of the International League of Conservation Photographers. You'll gain insights on how to use your imagery and storytelling to inspire conservation and environmental action.

Shoot in Stunning Natural Settings

Shoot in Stunning Natural Settings

Be immersed in breathtaking scenery, from iconic wildlife to sweeping landscapes. With hands-on mentorship, you’ll have the opportunity to capture awe-inspiring photos while networking with industry professionals and passionate photographers like yourself.

Workshop Itinerary

  • 9:00 AM: Classroom opens 

  • 9:30 AM: Check-in

  • 10:00 AM: Overview / Introductions

  • 11:00 AM: Seeing Light with Michael Forsberg

  • 12:00 - 2:00 PM: Lunch Break

  • 2:00 PM: Nature & Conservation Photography Talk

  • 3:00 PM: Gear checkout and time to get ready for on-location shooting

  • 4:00 PM: Depart for On-location shooting

  • 6:00 - 10:00 AM: On-location shooting with faculty

  • 10:00 AM: Classroom opens for downloading/editing

  • 10:30 - 11:30 AM: Working Pictures with Jim Richardson

  • 11:30 AM - 1:30 PM: Lunch break & editing

  • 1:45 PM: Image critique

  • 4:00 PM: Depart for the R LAZY S Ranch for nature walk/photography and reception

  • 6:00 - 10:00 AM: On-location shooting with faculty

  • 10:30 AM: Classroom opens for downloading/editing

  • 11:15 AM: Faculty presentation

  • 12:00 - 2:00 PM: Lunch break

  • 12:15 - 2:15 PM: Portfolio Reviews

  • 2:15 PM: Image critique

  • 4:30 PM: Depart for on-location shooting

  • 6:00 - 10:00 AM: On-location shooting on your own!

  • 10:00 AM: Classroom opens for downloading/editing

  • 11:00 AM: Faculty presentation

  • 11:30 AM - 1:00 PM: Lunch break

  • 1:00 PM - 2:30 PM: Portfolio Reviews

  • 3:00 PM: Image critique

  • 4:30 PM: Instructor Roundtable

  • 5:30 PM - 7 PM: Closing reception

The final workshop schedule will be provided one month prior to the event. Please keep in mind that the schedule is tentative and may be adjusted as needed during the workshop.

Meet Your Instructors

Workshop Faculty

Michael Forsberg

Workshop Faculty

Melissa Groo

Jim Richardson - Summit Photography Workshops
Workshop Faculty

Jim Richardson

Workshop Faculty

Morgan Heim

Workshop Faculty

Dave Showalter

Workshop Faculty

Mariah Lundgren

Allen Murabayashi - Summit Photography Workshops

Allen Murabayashi

Owner / Director

Chris Steppig

Faculty / Staff

Matt Stirn

Workshop Faculty

Michael Forsberg

Mike is a senior fellow with the International League of Conservation Photographers who has focused his career on North America’s Great Plains, its prairie wildlife, and watersheds. His work has appeared in National Geographic and Outdoor Photographer, and his books on On Ancient Wings and Great Plains – America’s Lingering Wild have been turned into documentary films for PBS. Mike is co-founder of the Platte Basin Timelapse Project, and currently serves as faculty with the University of Nebraska.

Workshop Faculty

Melissa Groo

Melissa is a wildlife photographer, writer, speaker, and educator. She’s a contributing editor to Audubon magazine, writes a column on wildlife photography for Outdoor Photographer magazine, and is an Associate Fellow with the International League of Conservation Photographers. She speaks and writes extensively on issues of ethics and conservation in wildlife photography, and leads workshops in the U.S. and abroad. Melissa was Chair of the Ethics Committee for the North American Nature Photography Association from 2014-2018. Her work has been published in numerous books and magazines, such as Smithsonian, Audubon, National Wildlife, and Natural History. Melissa is represented by National Geographic Image Collection and has a long-term gallery at Audubon Greenwich in Connecticut.

Workshop Faculty

Jim Richardson

Jim has work appearing regularly in National Geographic magazine and National Geographic Traveler in addition to Geographic books. Jim is on assignment for Nat Geo projects almost full time and for good reason. Richardson, a onetime newspaper photographer in Kansas and Colorado, brings amazing story-telling techniques along with detailed research to his pictures. Thirty years ago, he began photographing the area around his hometown in north central Kansas.

Workshop Faculty

Morgan Heim

Morgan (Mo) Heim raises a camera for one purpose – to capture moments in an animal’s life that will make us consider what that life means. Inevitably, those stories involve people as much as wildlife. How we treat them. Why we need them. What we love, or hate about them. Mo, used to work as a wildlife ecologist for NOAA on things like killer whale surveys and the Elwha Dam Removal project. She later earned a Master’s in environmental journalism and is a senior fellow of the International League of Conservation Photographers (iLCP). She has covered endangered fishing cats and shrimp farm development, and the environmental impacts of marijuana grows in our nation’s forests. In 2016, she became a National Geographic grantee for her collaboration on urban coyotes. Her photographic work has appeared in outlets such as Smithsonian, Discover, NationalGeographic.com, Nature Conservancy Magazine, and bioGraphic.com.

Workshop Faculty

Dave Showalter

Dave Showalter is based in Colorado and focused on the American West. Dave has published two books – Sage Spirit, The American West at A Crossroads by Braided River (2015); and the award-winning Prairie Thunder by Skyline Press (2007). Dave’s photographs and articles have appeared in numerous publications, including Audubon, Conservation Biology, Outside, Outdoor Photographer, National Parks Magazine, High Country News, Wilderness, Colorado Life and elsewhere.

Workshop Faculty

Mariah Lundgren

Mariah is a conservation storyteller, filmmaker and photographer. She is dedicated to telling stories within the Great Plains and the American West. She loves giving voice to the voiceless and telling stories that will help people better understand our natural world.

She is a graduate of the University of Nebraska–Lincoln with a BS in Environmental Studies, and a minor Fisheries & Wildlife. She is the producer & project manager for the Platte Basin Timelapse project; a long-term documentary project using time-lapse and traditional photography and multimedia storytelling to educate about the Platte River Basin and what it means to live in a watershed today. This project has taught her the art and importance of storytelling and science communication. She is also a photographers assistant with Michael Forsberg who is Senior Fellow with the International League of Conservation Photographers and is represented by National Geographic Creative.

Allen Murabayashi

Allen Murabayashi is the Chairman and Co-founder of PhotoShelter, the worldwide leader in photography portfolio websites, photo sales, marketing and archiving tools for photographers. Allen previously served as a founding employee and Senior Vice President of Engineering at HotJobs.com.

Owner / Director

Chris Steppig

Chris is the owner and director of Summit Workshops. Summit was his first job out of college and nearly 20 years later, this is home.  He is in charge of all workshop operations, scheduling, logistics, faculty, social media, marketing and sponsorship. Chris has a passion for conservation, travel, and education and the workshops are a dream platform to help others reach new heights as not only photographers but as people.

Chris is an affiliate of the International League of Conservation Photographers. The iLCP is a U.S. based non-profit whose mission is to further environmental and cultural conservation through ethical photography. This affiliation provides a tremendous opportunity to help deliver great content and also be an advisor on matters large and small.  He is also a professional advisor for Outdoor Photographer magazine.  Through collaboration and great communications with the editor of the magazine, there have been countless articles written by Summit Alumni in the magazine over the years.

Faculty / Staff

Matt Stirn

Matt is a photographer, writer, and archaeologist based between Boston and Jackson Hole, Wyoming. He holds a graduate degree in Environmental Archaeology and focuses on stories related to culture, history, and conservation. Matt is a Contributing Editor for Archaeology Magazine, a National Fellow at The Explorer’s Club and has written and photographed over three dozen feature stories for publications including Smithsonian Magazine, National Geographic, The New York Times, BBC Global News, and GEO.

Workshop Information

  • Each day you will have the option to sign up for separate outings with different instructors. We encourage participants to read up on the faculty and think about who they would like to shoot with. We also suggest branching out and trying a bit of everything!
  • While there is no steep hiking required on this workshop, some outings will involve carrying heavy lenses/gear on flat trails.
  • There will be lots of gear to check out and rent on a daily basis.
  • The workshop classroom is located at The Virginian near downtown Jackson.
  • The workshop hotel is The Virginian, call and mention the Summit Nature Workshop for the discounted group rate.
  • The daily drives consists of early morning shoots, then to Workshop HQ, back to town, and then lastly back to Workshop HQ for the nightly presentation. 
  • Make sure to pack clothing options for all days. They are long days so you may change at least once a day so pack extra for that. Jackson in the fall usually gives you a mix of all weather. The most important thing is to bring WARM clothes for the morning shoots that start before sunrise. This includes many layers, hats, gloves, and anything else to keep you warm dealing with your cold, metal equipment.
  • You may also want to bring a few more formal options (if you desire) for the welcome and closing receptions.

*Summit Workshops is an Authorized Permittee of the National Park Service*

Student Testimonials

Simply stated, if you want to improve your photography, Summit is the way. With hands on instructors in amazing locations, Summit always delivers the best experiences

Rick Tackett
The caliber of the faculty was/is outstanding. But, more than that, each of the instructors was able to meet me, as a beginning photographer, where I was. They were so open, encouraging and gracious despite the fact I didn't know how to manage my camera's ISO or shutter. Heck, I didn't even realize I could turn the screen around at the back of my camera to have faster access to my menu. (Thank you, Michael!). My head is exploding from all that I learned and, even though I was incredibly anxious, everyone helped and made me feel like it might be possible for me to capture a good photo. Luckily, the participants were nice, too; but that's not in Summit's control.

Vivien Zepf
This was my second nature trip, and it was just as good as the first. The instructors are knowledgeable and fun, making learning easy. They are hands-on, shooting in the field, helping in the class sessions and amazing presentations. The Tetons and the surrounding area make this workshop a must for anyone interested in nature and environmental landscape photography.

Sam Craft
Feedback from the instructors is priceless. Mike and Dave both helped me in finding a direction to move forward with, in my photography. As always, I am very pleased with how Summit as awhile presents itself and delivers on their workshops. The community that it creates is stellar and hard to find elsewhere. I have suggested to the few photography friends that I have to attend the nature workshop. A special thanks to Chris, Matt, Meg and Ben for all of the hard work put in to make this workshop work so well.

Chris Volpe
I have only one regret with attending the Summit workshop - and it is a fairly significant one: I regret not doing it years sooner. Making connections is one of my chief reasons for coming, but I did not fully anticipate the sense of belonging that I would feel. The sense of finding my place. It is a newfound ambition to remain a part of this community. The knowledge and cumulative experience of the faculty is only matched by their freely sharing of it. I would pay just to sit and listen to Jim Richardson's stories for hours, and the one-on-one time with him and all the other faculty members was priceless. I expected to learn a lot. I did not expect to feel so moved.

Graham Gerdeman
Such a great way to meet other photographers of all standards and learn from each other, everyone had stories and ideas to share.

Malcolm Snelgrove
I had an excellent time at the workshop. Chris, the photography instructors and the technical staff went out of their way to answer questions and provide advice and assistance whenever necessary. Conversations were straightforward and clear — no ‘fuzz’ and no confusion. Very enjoyable and well worth repeating on future workshops.

Thomas Rorex
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Join our Nature Workshop

Sign up now by paying the deposit. Full tuition is due 120 days before the workshop begins. 

Frequently asked questions

No! Summit Workshops is available to any photographer, regardless of what brand of camera you use. We often have camera gear available to borrow, free of charge, but you are not required to use that gear or any specific brand. 

Tuition includes activity fees, location fees, all instruction, planning and logistics. It does not cover hotels, travel, and most meals. 

Our Sports Workshop is for shooters of all ages and skill levels, from beginners to seasoned veterans. We all learn from and help one another, that is what makes the Summit Community so special. 

Lodging & Classroom

Discounted rates have been secured for students at the The Virginian Lodge in Jackson. This is where the workshop classroom is located and where the faculty and staff will be staying! Click HERE to book your room!

*If you book a room at the hotel, but are not taking the workshop the hotel may drop your reservation and/or charge the full rate which is significantly higher. 

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