Remote cameras are seemingly everywhere today. Everywhere for the most part where a person could not get, but sometimes for other reasons — such as a high risk location. But the real innovative breakthrough came not so much with motorized cameras such as the Nikon SP and the early Nikon Fs, but with a highly …
Brad Smith, a regular Sports Photography Workshop faculty member for more than 20 years, has been named director of photography of Sports Illustrated. Brad began his editing career at SI and for the past several years has been the sports picture editor of The New York Times. Brad will join the workshop faculty again this …
We sat down with former Sports Illustrated photographer and current COO of US Presswire, Bob Rosato, on techniques for high school or amateur photographers on shooting a football game.
For the many years I’ve been employing photographers and picture editors, I have always used internships to “discover” developing talent — in addition to providing some valuable training for early-career would-be professionals. In our Denver-based company, we have used a series of interns, most of which have gone on into good professional careers. Over the …
Sports Illustrated strobed its first NCAA Final Four in 1964 in Kansas City ‘s Municipal Auditorium and five years later, began using big strobes at Final Fours for all the years since. The early days required huge Ascor strobes with four 1000–watt/second condensers with a quick charger on each of the four light clusters. As …
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