Editing and Printmaking

Spend three immersive days with National Geographic photographer Jim Richardson and master printer Rich Seiling refining your editing workflow, learning to see your images differently, and producing museum-quality prints you’ll be excited to hang on your wall.

Turn Your Best Images Into Works of Art

April 23-25, 2027 | Denver, CO

Tuition: $1,995 | Deposit: $600

Deposit due upon registration, full tuition due 120 days before the workshop. Workshops limited to 15 participants. 

Every great print begins long before it reaches the printer. It starts with thoughtful editing, careful craftsmanship, and an understanding of how every adjustment shapes the final image.

Join National Geographic photographer Jim Richardson and master printer Rich Seiling for three immersive days dedicated to refining your workflow, strengthening your editing skills, and learning the art of fine art printing. Through hands-on instruction, personalized feedback, and plenty of time at the computer and printer, you’ll gain the confidence to transform your photographs into prints you’ll be proud to display, share, and sell.

Whether you’re preparing work for your home, a gallery, or your next exhibition, you’ll leave with new skills, finished prints, and a workflow you can rely on long after the workshop ends.

A Truly Hands-On Creative Experience

Great prints don’t happen by accident. They come from thoughtful choices made throughout the entire photographic process.

During this immersive workshop, you’ll work directly with Jim Richardson and Rich Seiling as you evaluate your images, refine your edits, and create professional-quality prints. Every session is designed to be interactive, giving you time to ask questions, experiment, and receive feedback specific to your work.

With a small group size and dedicated instructor time, you’ll gain the confidence to make intentional decisions that bring your vision to life.

Learn. Edit. Print.

From your first image review to your final print, every part of this workshop is designed to help you become a more confident editor and printer. You’ll spend three immersive days working alongside Jim Richardson and Rich Seiling in a collaborative, hands-on environment where you’ll receive personalized feedback, refine your workflow, and create museum-quality prints. We provide the equipment, materials, and expert instruction, you simply bring your images and your passion for photography.

  • Three days of hands-on instruction
  • Small class size (15 photographers)
  • One-on-one editing and image critiques
  • Lightroom and Photoshop coaching
  • Professional Epson printers and fine art papers
  • Multiple proof prints plus two large fine art prints to take home
  • Color management and print workflow instruction
  • A supportive community of photographers
See Your Images With a More Critical Eye

See Your Images With a More Critical Eye

Learn how to evaluate your photographs beyond the initial capture—understanding what makes an image work, where it can be strengthened, and how to bring out the story and emotion you intended to convey.

Develop a More Intentional Process

Develop a More Intentional Process

Discover how professionals approach selecting, refining, and presenting their work. You'll learn to make more confident decisions about which images deserve to be developed further and why.

Learn How to Present Your Work

Learn How to Present Your Work

Learn how different presentation choices influence the way your images are experienced and discover how a finished print can bring a new level of depth, emotion, and connection to your work.

Participants and instructors holding up their finished prints at Summit Workshops' photography printmaking workshop.

A Small Community, A Big Creative Impact

Printing your photographs changes the way you see your work. A finished print reveals details, choices, and possibilities that can be missed on a screen—and sharing that process with others makes it even more rewarding.

With a small group of photographers, you’ll have the opportunity to share your images, receive thoughtful feedback, and learn from the creative approaches of your fellow participants. The conversations that happen around a print often lead to the biggest breakthroughs, helping you leave with not only finished artwork, but a deeper understanding of your own photography.

Workshop Information

Three days of focused instruction, creative exploration, and hands-on work designed to help you see your photography in a new way. Each day builds on the last as you move from evaluating your images to refining your edits and creating finished prints you’re proud to take home.

Please note that the final workshop schedule will be provided one month prior to the event. Keep in mind that the schedule is tentative and may be adjusted as needed during the workshop. 

The workshop begins by looking closely at your photography and understanding what makes an image truly stand out. Through instructor discussions, image reviews, and group conversations, you'll learn how professional photographers evaluate their work and identify the images with the greatest potential.

You'll begin refining your editing approach, exploring how adjustments in tone, color, and composition can strengthen your photographs and better communicate your original vision.

 

Meet at 9 AM for orientation and introductions then get started with lectures and presentations. After lunch, we’ll start working on refining your images and printing 8.5×11 proof prints, along with lecture and critique sessions. We’ll work until about 5pm when you will be free to explore the unique dining options in the area. 

With guidance from Jim Richardson and Rich Seiling, you'll dive deeper into the editing and printing process. This is where your images begin to transform as you make intentional decisions about how each photograph should look and feel.

Through hands-on instruction and personalized feedback, you'll experiment with different approaches, fine-tune your edits, and prepare your images for the final print.

The final day is about seeing your work come together. You'll complete your prints, evaluate the results, and learn how subtle choices can impact the finished photograph.

As you hold your final prints in your hands, you'll gain a deeper appreciation for the craft of photography and leave with the confidence to continue creating meaningful work long after the workshop ends.

Getting there & Travel Details

The workshop takes place in the Denver, Colorado area, with the entirety of the workshop taking place in the hotel classroom. Denver International Airport (DEN) is the closest airport and is approximately a short drive from the workshop location. We recommend arriving the evening before the workshop begins so you can settle in, rest, and be ready for the first day of instruction.

What to Bring

  • Files: it is recommended that you bring a collection of 30-50 of your best/favorite photos that you want to work on
  • Lightroom Catalog
  • Print Portfolio
  • Computer
  • Printer Calibration Prints
  • Portable SSD Drive
  • Flash Drive 
  • Editing Software: Lightroom or Photoshop
  • Optional software:
    • RAWDigger: free 30 day trial, useful for evaluating RAW files
    • Topaz AI: not required but we will discuss some of the features of Topaz
  • Reading and Task Glasses (if needed)

Meet Your Instructors

Summit Instructor Rich Seiling

Rich Seiling

National Geographic photographer Jim Richardson headshot

Jim Richardson

Rich Seiling

Rich Seiling’s passion for capturing light and beauty with photography has led him on a series of  adventures that have shaped his vision and view of the craft. From a stint at The Ansel Adams  Gallery in Yosemite as an assistant curator, to his pioneering work in digital printmaking,  founding of a leading fine art printing studio, and 22 years living in and photographing the  Yosemite region of the Sierra Nevada, Rich has deeply explored the vision and craft of  photography while continuing to express his own vision.  

He learned photography in the darkroom, seeking to make prints with the rich tonal scale  exemplified by the West Coast traditions of photography. But his frustration with color processes  lead him to explore digital photography starting in the early 1990s. 

Combining his darkroom knowledge with digital tools led to a process for making color prints of  museum quality that pushed the process to new heights. His reputation for making vibrant yet  realistic digital prints allowed him to help photographers like Michael Forsberg, Galen Rowell, Jack Dykinga,  Robert Glenn Ketchum, and many others, make the transition to digital fine art printing. With his  team at West Coast Imaging, he has helped produce numerous museum shows, supplied prints  for leading galleries, and done prepress for art books from publishers like Taschen and  Houghton Mifflin.  

His simple yet powerful Photoshop workflow, tested on tens of thousands of prints at WCI, is in  use by many top professionals, and has been taught to countless students across the country  through workshops and lectures. 

Working in both black & white and color, Rich strives to capture the profound beauty of nature  and communicate it through vibrant, and sometimes large, prints. He considers himself a  student of light, discovering its qualities and how it communicates the inherent realities of a  subject, often seeking out fleeting moments of rare light that make the landscape sing its own  voice. 

Driven by the belief that each photographer has a unique story only they can tell, Rich teaches  the art of photography through workshops and articles. His goal is to help students unlock their  potential to tell their own stories by helping them gain control of the craft, expand their vision,  and most of all, to experience the enrichment and joy that photography brings.  

Rich lives just outside Nashville with his wife and creative partner Susan, and his three children.  

You can see more of his photography at richseiling.com and read his blog for photographers at craftingphotographs.com.

Jim Richardson

Jim Richardson is a photographer for National Geographic Magazine and a contributing editor for its sister publication, TRAVELER Magazine. Richardson has photographed more than fifty stories for National Geographic.

Richardson’s work has taken him around the world, from the tops of volcanic peaks to below the surface of the soil that provides our food, from the Arctic to the Antarctic and many places in between. ABC News Nightline produced a story about the long process of assembling a National Geographic coverage by following Richardson in the field and at National Geographic Society headquarters in Washington, D.C.

In addition to his color photography, Richardson has built a distinguished body of black-and-white documentary work about rural Kansas life.  His audiovisual presentation, “Reflections From a Wide Spot in the Road,” has toured internationally.  His 40 years of photographing life in the Kansas town of Cuba, population 230, was published in National Geographic and featured twice by CBS News Sunday Morning, most recently in May 2004.   His 1979 study of adolescence, “High School USA,” is now considered a photo essay classic and is used in college classrooms.

Richardson was named Kansan of the Year in 2007 by the Native Sons and Daughters of Kansas.  In 2015 he was honored by his fellow National Geographic photographers as their “Photographer’s Photographer.” And in 2017 Kansas State University bestowed an honorary doctorate for his work in cultural and environmental communications. He is co-founder of Eyes On Earth, an educational collaborative seeking to inspire next generation environmental photographers.

Jim’s career at National Geographic magazine and National Geographic Traveler spanned over 35 years, during which time he produced over 50 stories.  His stories ranged from poignant location based essays to complex scientific and geographical issues coverage. He’s valued for his compelling storytelling and his deft command of technical skills. Beyond his picture making he’s also highly regarded as a presenter and teacher. His lectures draw corporate clients to international venues. His topics ranged widely from world food, small towns and light pollution to include his much sought after whisky tastings.

Whether discussing documentary, landscape, night sky or iPhone photography, he brings a down-to-earth practicality to his lectures that is as enjoyable as it is instructive.

A look into printmaking

Frequently asked questions

This workshop is designed for photographers of all experience levels who want to improve their editing, printing, and presentation skills. Whether you photograph landscapes, wildlife, sports, travel, or portraits, you'll receive personalized guidance based on your own images and creative goals.

No. A basic familiarity with Lightroom or Photoshop is helpful, but you don't need to be an expert. The workshop is designed to meet you where you are, with instructors providing individualized guidance throughout the weekend.

Bring a selection of RAW image files that you'd like to edit and print. We recommend bringing a variety of your favorite images, along with any photographs you've struggled to edit or prepare for printing. You'll receive guidance on selecting the strongest images during the workshop.

No. Summit provides professional Epson printers, premium fine art papers, and the materials you'll need to create multiple proof prints and two large finished prints during the workshop.

Yes. Throughout the workshop you'll create multiple proof prints as you refine your images, and you'll leave with two professionally printed fine art photographs ready to display or frame.

Tuition includes activity fees, location fees, all instruction, planning and logistics. It does not cover hotels, travel, and most meals. 

Lodging & Classroom

We have secured rooms at the Hilton Garden Inn Denver/Cherry Creek for the workshop. This is where the workshop classroom is located and where the faculty and staff will be staying! 

After signing up, we will contact you with a booking link to secure your room.

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