Sports Photography Workshop in Denver
Become a champion and attend the top sports photography workshop in America! This is the perfect workshop for anyone who loves sports photography and looking to hone skills and learn new techniques.
The nation's only sports photography workshop
July 16-19, 2026 | Denver, CO
Tuition: $2,595 | Deposit: $600
Deposit due upon registration, full tuition due 120 days before the workshop. Workshop limited to 30 participants.
The Summit Workshops Sports Photography Workshop in Denver is the nation’s premier hands-on sports photography training experience. As the flagship program in our national sports photography workshop series, this immersive multi-day workshop brings photographers of all levels into real game environments to learn how to capture fast-paced action, improve technical camera skills, and build a professional-quality sports portfolio. Led by industry-leading sports photographers, this Denver workshop combines live sports shooting, expert mentorship, and real-world assignments designed to elevate your photography immediately.
Why Summit Sports?
Our Sports Photography Workshop in Denver is the only dedicated sports photography workshop series in the United States. As our largest and most comprehensive program, this workshop is designed to give photographers unmatched variety, access, and real-world shooting experience across multiple levels of sport.
Sports Denver is built for maximum range and portfolio development, giving you the widest possible exposure to live sports in a single workshop. Over four days, you’ll have the change to photograph a wide range of live sporting events, including:
- Major League Baseball at Coors Field
- Motocross for high-speed action and timing
- Youth baseball for storytelling and fundamentals
- Semi-professional football for fast-paced sideline coverage
- Volleyball for indoor action and reaction timing
- Track & field for motion, distance, and peak action capture
- Water polo for challenging aquatic sports environments
- And additional live sporting events based on availability
At Summit Sports You Will
Master Sports Photography: Technique & Storytelling
Learn how to capture decisive action and peak moments in fast-paced live sports environments. You’ll develop stronger timing and anticipation skills so you can consistently freeze the most important moments of the game. You’ll also learn how to set up remote cameras for more creative angles, shoot compelling sports portraits that tell a story, and improve your technical camera control so you can make faster, more confident decisions in the field.
Gain Insider Knowledge from Working Sports Professionals
Get direct insight from professional sports photographers who actively work in the industry. You’ll learn what editors and media outlets are looking for in publication-ready sports images, how to evaluate your work with a professional eye, and how to apply real-time feedback during live shooting situations. This hands-on mentorship helps you build confidence quickly and teaches you how to stay composed and effective while shooting under pressure.
Develop Your Freelance Sports Photography Business
Beyond shooting, this workshop also prepares you for the business side of sports photography. You’ll learn how to market yourself as a photographer, pitch your work to potential clients and publications, and build a sustainable approach to freelancing. We’ll also cover workflow best practices, including how to efficiently edit, organize, and deliver your images so you can operate at a professional level from start to finish.
Photograph Major League Baseball at Coors Field
One of the highlights of the Summit Sports Workshop is the incredible opportunity to photograph an MLB game at Coors Field, home of the Colorado Rockies.
Through our partnership with the Rockies’ team photographer, students receive exclusive access to the photographer’s pen inside the stadium for multiple games throughout the workshop. This is a rare, behind-the-scenes experience that gives you the chance to shoot professional baseball from the same vantage point as working media photographers.
You’ll have time to capture the energy, emotion, and precision of the game, from high-speed plays to behind-the-dugout moments, all while receiving hands-on guidance from our instructors.
Whether you’re building your portfolio, testing new techniques, or simply experiencing the thrill of photographing a Major League game, this is an unforgettable opportunity that sets Summit Sports apart.
What Past Students Say
Workshop Itinerary
This is not a classroom workshop, it’s four days of nonstop, real-world sports photography training in Denver. Every day puts you on location shooting live sports as they happen, building the speed, instincts, and confidence of a working professional sports photographer.
You’ll photograph everything from Major League Baseball at Coors Field to motocross, football, volleyball, track and field, water polo, and more, gaining access to a wide range of fast-moving, unpredictable environments that push your skills in every direction. Each session is designed to challenge you in real time, sharpen your decision-making, and help you leave with a diverse, portfolio-ready body of work built entirely from live action.
Please note that the final workshop schedule will be provided one month prior to the event. Keep in mind that the schedule is tentative and may be adjusted as needed during the workshop.
10:00 AM: Welcome Reception
10:30 AM: Introduction to the Sports Workshop
11:00 AM: Sports Photography with Jean Fruth
12:30 PM: Lighting and Shooting Motocross with Mark Reis
1:00 - 3:00 PM: Lunch Break
3:00 - 8:00 PM: On-Location Shooting and Lighting Sessions
9:00 AM: Mastering Your Digital Workflow with Sam Craft
10:00 AM: Shooting Baseball with Andy Kuno
11:00 AM: Portfolio Reviews
1:00 - 3:00 PM: Lunch Break
3:00 - 8:00 PM: On-Location Shooting
9:00 AM: Image Critique
11:30 AM: Marketing Yourself in a Freelance World (Panel Discussion)
1:00 - 3:00 PM: Lunch Break
3:00 - 8:00 PM: On-Location Shooting
10:00 AM: Image Critique
12:00 AM: Portfolio Reviews
1:00 - 3:00 PM: Lunch Break
4:00 - 7:00 PM: Instructor Roundtable / Workshop Closing Reception
World-Class Sports Photography Faculty
Jean Fruth
Andy Kuno
Mark Reis
John McDonough
Matt Hernandez
Sam Craft
Catharyn Hayne
Chris Steppig
Jean Fruth
Jean Fruth is an internationally recognized photographer, filmmaker and visual storyteller whose work harnesses the power of images to inspire change. She is the co-founder of two nonprofit organizations, Grassroots Baseball and SEE HER BE HER, which uses sports to empower youth, underserved communities, and women globally.
Jean does more than take pictures. She tells stories — of vibrant personalities, local cultures, and distinctive communities. From a small darkroom to the most iconic stadiums flooded with lights, Jean’s trajectory as one of photography’s preeminent visual storytellers has taken her on a round-the-horn tour of the world’s most indelible landmarks – from the world of baseball to the world at large. Sports have always been Jean’s most compelling subject, and from her earliest days in sports photography, she covered everything from wrestling to sailing to basketball — and on any given Friday, she could be found taking full advantage of those Friday night lights, shooting northern California’s storied football rivalries.
Soon Jean was called up to the big leagues herself, as she spent nearly a decade shooting the crown jewels of Bay Area sports — the Giants, the A’s, the 49ers. Her portfolio quickly expanded when she was invited to Cooperstown and the National Baseball Hall of Fame & Museum, where she helped build the museum’s archive and bring to life the story of baseball. America’s most eminent historical institutions – including the Abraham Lincoln Presidential Museum and the Smithsonian — have featured her work.
Jean made her film debut in 2024 as Director and Producer of SEE HER BE HER and is the Author/Photographer of three books in the Grassroots Baseball Series: Where Legends Begin (2019), Route 66 (2022) and See Her Be Her (2024). Jean is honored to be designated by Sony as one of its select Sony Artisans of Imagery. In recognition of her impact as a visual storyteller and changemaker, she was honored with the 2025 United Nations International Photographic Council Achievement Award.
Andy Kuno
Andy Kuno is a San Francisco based sports photographer. He cut his teeth in the 90’s freelancing for wire services and newspapers which eventually lead to his position as the team photographer for the San Francisco Giants (1996 – current). The native San Franciscan enjoys capturing action, emotions and portraits while continually chasing light.
Mark Reis
Mark is passionate about photojournalism and loves to tell people’s stories through his photographs. He was Director of Photography at the Gazette in Colorado Springs for more than 30 years and has covered ten Olympic Games and six Super Bowls. He won the Olympic Media Association Gold Prize for his coverage of the Nagano Games.
His career has given him a ringside seat to everything from local news and features to the 2004 Asian tsunami. In 2009 he was the National Press Photographers Association (NPPA) Regional Photographer of the Year.
Mark’s clients include the US Olympic and Paralympic Committee, US Paralympics, UCHealth, US Figure Skating, The New York Times and Pikes Peak Community College.
John McDonough
Based in southern California, John W. McDonough is one of the main contributors to Sports Illustrated. Before working at Sports Illustrated, John freelanced for SPORT Magazine and worked at the Los Angeles Times and Arizona Republic as a staff photographer.
Matt Hernandez
Sam Craft
Sam Craft is a visual storyteller and strategic communicator with a passion for crafting authentic narratives that connect people, ideas, and communities. His work spans editorial, commercial, and organizational initiatives—always grounded in creativity, empathy, and impact.
Sam currently serves as a Senior Account Executive at PhotoShelter, where he helps organizations build smarter, more efficient workflows for managing, sharing, and activating their visual assets. Drawing on more than a decade of leadership in marketing and communications, particularly in higher education, he has guided creative vision, built collaborative teams, and delivered initiatives that elevate brand visibility and engagement. He thrives on solving complex challenges, mentoring others, and developing strategies that drive growth and success.
Organized, proactive, and people-focused, Sam merges creativity with strategy to deliver work that resonates and inspires. Whether leading teams, teaching, or innovating solutions, he remains committed to empowering others and advancing meaningful storytelling in all its forms.
In addition to his leadership and creative work, Sam maintains an active freelance photography business, covering a wide range of assignments including commercial projects, breaking news, and sporting events for clients such as the Associated Press, ConocoPhillips, NWSL, ESPN, ExxonMobil, AFP, the SEC, various college athletic programs as well as publications like the Dallas Morning News and the Houston Chronicle, among others.
Catharyn Hayne
Catharyn got her start in commercial photography in New York City, but relocated to the Bay Area 20 years ago and immersed herself in sports photography. While she has covered all the major sports, Catharyn quickly discovered her passion for all things aquatic. She regularly covers events for USA Water Polo, UC Berkeley athletics and others, and has shot the World Aquatics championships and Len European Aquatics championships.
When not on a deck or on the sidelines capturing the action, she covers the same athletes at Hall of Fame dinners and awards ceremonies for USA Water Polo, the Oakland A’s, and UC Berkeley Athletics Hall of Fame. Catharyn also works as a contract photographer with Drawbridge Digital working for assorted clients, including the San Francisco 49’ers. Her client list includes World Aquatics, LEN European Aquatics, Kap7, Special Olympics, Turbo, Rock Tape, Delfina and Malmsten. Her work has appeared in SI Online, the Los Angeles Times, and Swimming World Magazine, among others.
Chris Steppig
Chris is the owner and director of Summit Workshops. Summit was his first job out of college and nearly 20 years later, this is home. He is in charge of all workshop operations, scheduling, logistics, faculty, social media, marketing and sponsorship. Chris has a passion for conservation, travel, and education and the workshops are a dream platform to help others reach new heights as not only photographers but as people.
Chris is an affiliate of the International League of Conservation Photographers. The iLCP is a U.S. based non-profit whose mission is to further environmental and cultural conservation through ethical photography. This affiliation provides a tremendous opportunity to help deliver great content and also be an advisor on matters large and small. He is also a professional advisor for Outdoor Photographer magazine. Through collaboration and great communications with the editor of the magazine, there have been countless articles written by Summit Alumni in the magazine over the years.
Workshop Information
Getting there
The workshop takes place in the Denver, Colorado area, with most shooting locations centered around major sports venues including Coors Field and surrounding athletic facilities. The closest major airport is Denver International Airport (DEN), which offers direct flights from most major U.S. cities. From the airport, downtown Denver is approximately a 25–35 minute drive, depending on traffic. Most workshop shooting locations are within a short driving distance once you arrive, and participants should plan to use rideshare services or rental cars for daily transportation between venues.
We recommend arriving the day before the workshop begins so you can settle in, prepare your gear, and be ready for an early start on the first day.
Health & Fitness
This is an active, field-based photography workshop that requires a moderate level of physical mobility. You will be moving frequently between shooting positions, carrying camera gear, and working in a variety of environments including stadiums, outdoor fields, and fast-paced action venues.
You should be comfortable standing for extended periods, walking short to moderate distances, and working in changing weather conditions. Some shooting opportunities may require quick movement to follow the action or reposition for better angles. While no specialized athletic ability is required, a basic level of fitness and comfort with an active schedule will help you get the most out of the experience.
What to Pack
CLOTHING:
- It can be cooler in the mornings and evenings (50s-70s) and can quite hot (high 80s low 90s) so pack layers
- Waterproof outer layer (optional)
- Comfortable walking shoes
OTHER:
- Sunscreen
- Hat
- Water bottle
- Energy bars or other snacks
PHOTOGRAPHY GEAR:
- 2 camera bodies
- Wide angle lens
- Medium zoom lens
- Telephoto lens (ideally 400mm–800mm range)
- Tripod or monopod (optional, depending on preference)
- Camera bag
- Extra batteries and chargers
- Laptop or tablet
- Memory cards
- Hard drive
- Off camera flash trigger (optional)
Sony & Westcott Gear
The Summit Workshops Sports Photography Workshop in Denver is proudly supported by industry leaders Sony and Westcott Lighting, giving you the opportunity to work with professional-level gear throughout the workshop.
Participants will have access to a selection of Sony cameras and lenses, as well as Westcott lighting equipment, allowing you to test, experiment, and shoot with tools used by working professionals in the field.
Frequently asked questions
Tuition includes activity fees, location fees, all instruction, planning and logistics. It does not cover hotels, travel, and most meals.
Our workshop is for shooters of all ages and skill levels, from beginners to seasoned veterans. We all learn from and help one another, that is what makes the Summit Community so special.
No! Summit Workshops is available to any photographer, regardless of what brand of camera you use. We often have camera gear available to borrow, free of charge, but you are not required to use that gear or any specific brand.
No, you do not need to bring your own lighting gear. Our partner, Westcott Lighting, will provide all the gear needed for the workshop.
Our image critiques are constantly mentioned as being the most important/valuable component of our workshops. It's not only a chance to get your work reviewed, but also to see your peers' images. It is not structured as a competition, but a growth experience. So do not feel it has the be your best of the best or how it might stack up to others. You get to hear the opinions of the faculty and everything you will hear from them is 100% meant to help you. They are also anonymous and meant to be constructive and useful to your professional growth.
We ask each student to submit 3-5 images taken while at the workshop. We typically send the link out the afternoon before the image critique, which gives you the evening to get your images in.
A car isn’t required, but it’s highly recommended. We’ll be driving back and forth from our hotel to the games or shooting events. If you don’t have a car, no worries, we coordinate carpools and will make sure you have a ride for all workshop activities.
There is no strict age requirement for this workshop. We welcome motivated photographers of all ages, including high school students, as long as they are comfortable working in fast-paced, real-world sports environments.
Join the Nation’s Top Sports Photography Workshop
Ready to shoot real sports like a pro? Spots are limited to just 30 photographers for this sports photography experience in Denver.
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