Sports Denver Info PAcket
about this workshop
In this workshop, you’ll have the opportunity to shoot a wide selection of sports while learning sports photography shooting techniques, remote camera setups, creative lighting setups, the business of freelance sports photography, and much more.
Our Sports Workshop is for shooters of all ages and skill levels, from beginners to seasoned veterans.
Workshop Schedule
Click here to see the tentative schedule! Some times will change depending on activities but this will help you with timing/flow of the workshop!



Packing details & considerations
Recommended Camera Gear
Minimum 1 camera body, 2 ideal
Wide angle lens
Medium zoom lens
Telephoto lens
Camera bag
Camera bodies
Camera lenses
Camera batteries / charger
Laptop
Memory cards
Card reader
Monopod


Weather to Consider While Packing
It can be cooler in the mornings and evenings (50s-70s). June in Colorado can get quite hot (high 80s low 90s). You be spending hours in the sun. Bring sunscreen, hats, light layers, etc. One of the most important things is to stay hydrated!
Breaking down some terms

Image critique
Image Critique is constantly mentioned as being the most important/valuable component of the workshop. It’s not only a chance to get your work reviewed, but also to see your peers’ images. It is not structured as a competition, but a growth experience. So do not feel it has the be your best of the best or how it might stack up to others. You might have an image that you like, but are not sure if it works… You get to hear the opinions of the faculty and everything you will hear from them is 100% meant to help you. It is also anonymous.
We will ask each student to submit three images and we will provide specific instructions on sizing/naming as well as a link for uploading. For the images, they just need to be from this workshop! We will send the link out the afternoon before the image critique, which gives you the evening to get your images in! If you want help editing we are happy to help, especially if you get down to a smaller selection and just can’t decide. ALL images will need to be submitted before 9am on the day of the critique so we can get the slideshow organized.
Portfolio Review
There will be several opportunities for reviews, these are 1:1 opportunities between you and a faculty member. These time blocks will be around 20 minutes and we will provide sign up sheets in the classroom. We will make sure everyone that wants one gets at least one if not two! ALL faculty will be available during these times. The time can be used to show work, or talk about photography, business, or anything else under the photographic sun. If you are showing images this is best done on a laptop or iPad. Keeping the time in mind, you also want to have time for conversation. Having a folder of 15-20 is a really good range to have a great discussion. We suggest having the images downloaded and not showing a website. If the wifi is spotty, you don’t want to waste your time waiting for things to load!


Networking & Additional Education
Breakfast is free at the hotel, what better time to mingle with faculty as they will be there. The bar is open in the evenings, what better time to buy an instructor a drink or a soda and talk photography?! Don’t be shy, the “down time” is your chance to build your community and make some friends along the way!
Meet your instructors

Jean Fruth

John McDonough

Maxx Wolfson

Mark Reis

Jennifer Stewart

Matt Hernandez

Darren Carroll

Steve Fine

Chris Steppig

Doug DeFelice
Jean Fruth
Photographer Jean Fruth does more than take pictures. She tells stories — of vibrant personalities, local cultures, and distinctive communities. From a small darkroom to the most iconic stadiums flooded with lights, Jean’s trajectory as one of photography’s preeminent visual storytellers has taken her on a round-the-horn tour of the world’s most indelible landmarks – from the world of baseball to the world at large. Sports have always been Jean’s most compelling subject, and from her earliest days in sports photography, she covered everything from wrestling to sailing to basketball — and on any given Friday, she could be found taking full advantage of those Friday night lights, shooting northern California’s storied football rivalries.
Soon Jean was called up to the big leagues herself, as she spent nearly a decade shooting the crown jewels of Bay Area sports — the Giants, the A’s, the 49ers. Her portfolio quicky expanded when she was invited to Cooperstown and the National Baseball Hall of Fame & Museum, where she helped build the museum’s archive and bring to life the story of baseball. America’s most eminent historical institutions – including the Abraham Lincoln Presidential Museum and the Smithsonian — have featured her work.
What drives Jean now is to serve communities through her storytelling – as the co-founder of Grassroots Baseball, a non-profit that promotes participation in baseball at the youngest levels, and as a traveling photographer for La Vida Baseball and La Vida Sports, digital media companies that shares the stories of Latino sports around the globe. As one of Sony’s select Artisans of Imagery, and through her popular workshops, she shares her techniques, her insights, and her love of images — both the power of pictures and the stories they tell.
Jean’s first book, Grassroots Baseball: Where Legends Begin, was released in 2019. Her latest, Grassroots Baseball: Route 66, was published in spring 2022, with proceeds benefitting the non-profit program.
John McDonough
Based in southern California, John W. McDonough is one of the main contributors to Sports Illustrated. Before working at Sports Illustrated, John freelanced for SPORT Magazine and worked at the Los Angeles Times and Arizona Republic as a staff photographer.
Maxx Wolfson
Maxx has been one of the top editors at Getty Images for 13 years. As Managing Editor for Sport in North & South America he is onsite at the biggest sporting events all over the world. Maxx will be leading the Getty Images team at his 11th Super Bowl and then leading the editing team at his sixth Olympic games in February. He also works directly with staff and freelance photographers assigning events and hiring photographers to cover events in his region. Through his work with many sports leagues, Maxx possesses a deep institutional knowledge of the industry.
Mark Reis
Mark is the former deputy director of photography of the Colorado Springs Gazette — and certainly one of the finest newspaper photographers working in the nation. Mark has now entered the world of freelance photography where he will undoubtedly be highly successful.
Jennifer Stewart
Jennifer is an adventurer & photographer who loves helping professional athletes, brands and entrepreneurs create engaging images.
Since 2009, her career has evolved from capturing in-game moments and emotion at professional sporting events for clients including Getty Images, USA Today Sports Images, AP Images and was the team photographer for the Arizona Diamondbacks to commissioned portrait work for MLB Photos, Lululemon, Baseball America, Upper Deck and more.
Jennifer values making a genuine connection with her clients in order to photograph their true essence ensuring they capture images they will be proud to represent their online presence.
Matt Hernandez
Darren Carroll
Darren is an accomplished sports action and portrait photographer, having done editorial work for the likes of Sports Illustrated, ESPN, Golf Digest and the NBA for over 20 years and commercial campaigns for Dick’s Sporting Goods, ClubCorp, and Golf Galaxy, among others. He serves as a photography consultant to the PGA of America, and is also part of the photography team for both the U.S. Open Golf and U.S. Open Tennis championships.
Steve Fine
Steve Fine was the Director of Photography at Sports Illustrated from 1996 until 2013. Prior to that he was deputy photo editor serving under the legendary Heinz Kluetmeier. More recently he spent six years as picture and sports editor at Flipboard, a mobile news aggregator. Steve worked at The New York Times from 1983-92, first as sports picture editor and then as deputy photo editor under Kathy Ryan at the Sunday Magazine. Currently he is a digital news curator at Facebook.
Chris Steppig
Chris is the owner and director of Summit Workshops. Summit was his first job out of college and nearly 20 years later, this is home. He is in charge of all workshop operations, scheduling, logistics, faculty, social media, marketing and sponsorship. Chris has a passion for conservation, travel, and education and the workshops are a dream platform to help others reach new heights as not only photographers but as people.
Chris is an affiliate of the International League of Conservation Photographers. The iLCP is a U.S. based non-profit whose mission is to further environmental and cultural conservation through ethical photography. This affiliation provides a tremendous opportunity to help deliver great content and also be an advisor on matters large and small. He is also a professional advisor for Outdoor Photographer magazine. Through collaboration and great communications with the editor of the magazine, there have been countless articles written by Summit Alumni in the magazine over the years.
Doug DeFelice
Lodging
Discounted rates have been secured for students at the Springhill Suites Downtown Denver. This will be workshop headquarters and where the faculty and staff will be staying! ** Please note that the rooming block discount will close so please have your room booked by June 1st!